E Standard6-string guitar
Tuning library
Pick a tuning
Choose a preset and every peg updates. Nudge any string with − and + and the name at the top re-reads itself from the notes.
Fretboard
Where the notes land
Specification
The numbers
Pitch
The change
Structure
Reference
Every tuning in the book
73 tunings across six instruments. Spellings run from the lowest string to the highest.
6-string guitar
| Tuning | Notes | Family | Notes on it |
|---|---|---|---|
| E Standard | E2 A2 D3 G3 B3 E4 | Standard | The reference point. Fourths all the way up except the major third between G and B. Also called Standard, EADGBE. |
| Drop D | D2 A2 D3 G3 B3 E4 | Drop | Lowest string down a whole step. One finger covers a power chord on the bottom three strings. Heard from Soundgarden, Rage Against the Machine. Also called DADGBE. |
| E♭ Standard | Eb2 Ab2 Db3 Gb3 Bb3 Eb4 | Standard | Everything down a half step. Slacker strings, easier bends, a fatter sound. Heard from Jimi Hendrix, Stevie Ray Vaughan, Guns N’ Roses. Also called Half step down. |
| Drop C♯ | C#2 G#2 C#3 F#3 A#3 D#4 | Drop | Drop D shifted down a half step. Heard from Deftones. |
| D Standard | D2 G2 C3 F3 A3 D4 | Standard | A whole step below standard. Heavier without changing a single chord shape. Heard from Alice in Chains, Soundgarden. Also called Whole step down. |
| Drop C | C2 G2 C3 F3 A3 D4 | Drop | The modern metal workhorse: D standard with the low string dropped to C. Heard from System of a Down, Bullet for My Valentine. |
| D♭ Standard | Db2 Gb2 B2 E3 Ab3 Db4 | Standard | Three half steps down. Wants heavier gauges to stay tight. Heard from Deftones. |
| Drop B | B1 F#2 B2 E3 G#3 C#4 | Drop | Low and slack on a 25.5" scale. Baritone territory. Heard from Slipknot, Bring Me the Horizon. |
| C Standard | C2 F2 Bb2 Eb3 G3 C4 | Standard | Two whole steps down. Needs 12s or heavier to keep any tension. |
| Drop A♯ | A#1 F2 A#2 D#3 G3 C4 | Drop | C standard with the low string dropped. Effectively a baritone tuning. |
| B Standard | B1 E2 A2 D3 F#3 B3 | Standard | Standard tuning for baritone guitars — a 7-string minus its top E. Heard from Meshuggah. Also called Baritone standard. |
| Drop A | A1 E2 A2 D3 F#3 B3 | Drop | B standard with the low string dropped to A. Baritone scale strongly recommended. |
| Double Drop D | D2 A2 D3 G3 B3 D4 | Modal | Both E strings drop to D. Droning octaves top and bottom, standard shapes in between. Heard from Neil Young. Also called DADGBD. |
| DADGAD | D2 A2 D3 G3 A3 D4 | Modal | A Dsus4 drone. Neither major nor minor, which is exactly why it works. Heard from Jimmy Page, Pierre Bensusan. Also called Celtic tuning, Dsus4. |
| Open D | D2 A2 D3 F#3 A3 D4 | Open | Strum the open strings and you get a D major chord. Slide players live here. Heard from Joni Mitchell, Bob Dylan. Also called DADF#AD, Vestapol. |
| Open D minor | D2 A2 D3 F3 A3 D4 | Open | Open D with the third flattened. Dark, and one finger away from major. Also called DADFAD. |
| Open E | E2 B2 E3 G#3 B3 E4 | Open | Open D moved up a whole step. Three strings go up, so use light gauges. Heard from Duane Allman, Derek Trucks. |
| Open G | D2 G2 D3 G3 B3 D4 | Open | A G major chord open. Keith Richards drops the low string entirely and plays five. Heard from Keith Richards. Also called DGDGBD, Spanish tuning. |
| Open G minor | D2 G2 D3 G3 Bb3 D4 | Open | Open G with a flat third. A staple of Delta blues. |
| Open A | E2 A2 E3 A3 C#4 E4 | Open | Open G raised a whole step — bright, tight, and hard on the top strings. |
| Open C | C2 G2 C3 G3 C4 E4 | Open | Huge and orchestral: three Cs and two Gs before you fret anything. Heard from Devin Townsend, John Butler. Also called CGCGCE. |
| All Fourths | E2 A2 D3 G3 C4 F4 | Other | Removes the major-third quirk. Every scale shape repeats identically across all six strings. Heard from Stanley Jordan. Also called EADGCF. |
| New Standard Tuning | C2 G2 D3 A3 E4 G4 | Other | Fifths, like a cello, with a minor third on top. Robert Fripp’s system for Guitar Craft. Heard from Robert Fripp. Also called NST, CGDAEG. |
7-string guitar
| Tuning | Notes | Family | Notes on it |
|---|---|---|---|
| B Standard | B1 E2 A2 D3 G3 B3 E4 | Standard | E standard with a low B underneath. The 7-string reference. Heard from Steve Vai, Dream Theater. Also called 7-string standard, BEADGBE. |
| Drop A | A1 E2 A2 D3 G3 B3 E4 | Drop | Lowest string down a whole step for one-finger power chords in the basement. Heard from Periphery. |
| B♭ Standard | Bb1 Eb2 Ab2 Db3 Gb3 Bb3 Eb4 | Standard | 7-string standard down a half step. Also called Half step down. |
| Drop G♯ | G#1 D#2 G#2 C#3 F#3 A#3 D#4 | Drop | Drop A shifted down a half step. Heard from Periphery. |
| A Standard | A1 D2 G2 C3 F3 A3 D4 | Standard | 7-string standard down a whole step. Heard from Korn. Also called Whole step down. |
| Drop G | G1 D2 G2 C3 F3 A3 D4 | Drop | A standard with the low string dropped to G. |
| A♭ Standard | Ab1 Db2 Gb2 B2 E3 Ab3 Db4 | Standard | Three half steps below 7-string standard. |
| Drop F♯ | F#1 C#2 F#2 B2 E3 G#3 C#4 | Drop | The low string lands on the same F# an 8-string starts from. |
| G Standard | G1 C2 F2 Bb2 Eb3 G3 C4 | Standard | Two whole steps down. Long scale and thick strings required. |
| Drop F | F1 C2 F2 Bb2 Eb3 G3 C4 | Drop | About as low as a 7-string goes before the strings stop behaving. |
| All Fourths | B1 E2 A2 D3 G3 C4 F4 | Other | Uniform fourths across seven strings. Every shape is movable in both directions. Also called BEADGCF. |
| Russian Open G | D2 G2 B2 D3 G3 B3 D4 | Open | The traditional Russian seven-string: an open G major spread over seven strings in thirds and fourths. Also called DGBDGBD. |
8-string guitar
| Tuning | Notes | Family | Notes on it |
|---|---|---|---|
| F♯ Standard | F#1 B1 E2 A2 D3 G3 B3 E4 | Standard | 7-string standard with a low F# added. The 8-string reference. Heard from Meshuggah, Animals as Leaders. Also called 8-string standard, F#BEADGBE. |
| Drop E | E1 B1 E2 A2 D3 G3 B3 E4 | Drop | The lowest string drops to E — the same pitch as a bass low E. Heard from Animals as Leaders. |
| F Standard | F1 Bb1 Eb2 Ab2 Db3 Gb3 Bb3 Eb4 | Standard | 8-string standard down a half step. Heard from Meshuggah. Also called Half step down. |
| Drop D♯ | D#1 A#1 D#2 G#2 C#3 F#3 A#3 D#4 | Drop | Drop E shifted down a half step. |
| E Standard | E1 A1 D2 G2 C3 F3 A3 D4 | Standard | 8-string standard down a whole step. The bottom four strings sit in bass range. Also called Whole step down. |
| Drop D | D1 A1 D2 G2 C3 F3 A3 D4 | Drop | A low D below the bass staff. A 28"+ scale keeps it from flopping. |
| E♭ Standard | Eb1 Ab1 Db2 Gb2 B2 E3 Ab3 Db4 | Standard | Three half steps below 8-string standard. |
| Drop C♯ | C#1 G#1 C#2 F#2 B2 E3 G#3 C#4 | Drop | Extended-range territory where string gauge matters more than tuning choice. |
| D Standard | D1 G1 C2 F2 Bb2 Eb3 G3 C4 | Standard | Two whole steps down across all eight strings. |
| Drop C | C1 G1 C2 F2 Bb2 Eb3 G3 C4 | Drop | A low C at 32.7 Hz — below the lowest note on a 4-string bass. |
| All Fourths | F#1 B1 E2 A2 D3 G3 C4 F4 | Other | Eight strings, one interval. The most symmetrical fretboard you can build. Also called F#BEADGCF. |
4-string bass
| Tuning | Notes | Family | Notes on it |
|---|---|---|---|
| E Standard | E1 A1 D2 G2 | Standard | Fourths, an octave below the bottom four strings of a guitar. The reference. Also called Standard, EADG. |
| Drop D | D1 A1 D2 G2 | Drop | Low string down a whole step, usually to follow a guitarist who did the same. Also called DADG. |
| E♭ Standard | Eb1 Ab1 Db2 Gb2 | Standard | The whole bass down a half step. Common backing for E♭ guitars. Also called Half step down. |
| Drop C♯ | C#1 G#1 C#2 F#2 | Drop | Drop D shifted down a half step. |
| D Standard | D1 G1 C2 F2 | Standard | A whole step down. Noticeably slacker unless you move up a gauge. Also called Whole step down. |
| Drop C | C1 G1 C2 F2 | Drop | Matches a guitarist in Drop C, two octaves below. |
| D♭ Standard | Db1 Gb1 B1 E2 | Standard | Three half steps down. |
| Drop B | B0 F#1 B1 E2 | Drop | A low B on four strings — the pitch a 5-string gets for free. |
| C Standard | C1 F1 Bb1 Eb2 | Standard | Two whole steps down. Heavy strings or a long scale, ideally both. |
| B Standard | B0 E1 A1 D2 | Standard | The bottom four strings of a 5-string bass, on a four. |
| Drop A | A0 E1 A1 D2 | Drop | A0 is the lowest A on a piano. Expect a .145 or thicker. |
| Tenor Bass | A1 D2 G2 C3 | Other | Everything up a fourth: drop the low E, add a high C. Bright and soloistic. Heard from Stanley Clarke. Also called ADGC, Piccolo-ish. |
| Fifths | C1 G1 D2 A2 | Other | Tuned in fifths like a cello. Enormous range, brutal stretches. Also called CGDA, Cello tuning. |
5-string bass
| Tuning | Notes | Family | Notes on it |
|---|---|---|---|
| B Standard | B0 E1 A1 D2 G2 | Standard | A low B below standard four-string tuning. The 5-string reference. Also called 5-string standard, BEADG. |
| High C | E1 A1 D2 G2 C3 | Other | The other way to build a five: keep the low E, add a high C for chords and solos. Also called EADGC. |
| Drop A | A0 E1 A1 D2 G2 | Drop | Low B dropped a whole step to A, matching drop-tuned 7- and 8-string guitars. |
| B♭ Standard | Bb0 Eb1 Ab1 Db2 Gb2 | Standard | Five strings down a half step. Also called Half step down. |
| Drop G♯ | G#0 D#1 G#1 C#2 F#2 | Drop | Drop A shifted down a half step. |
| A Standard | A0 D1 G1 C2 F2 | Standard | Five strings down a whole step. The low A sits at 27.5 Hz. Also called Whole step down. |
| Drop G | G0 D1 G1 C2 F2 | Drop | Below the range of a grand piano’s lowest string but one. Subsonic without a good rig. |
| E♭ + High C | Eb1 Ab1 Db2 Gb2 B2 | Other | High-C tuning taken down a half step to sit with E♭ guitars. |
6-string bass
| Tuning | Notes | Family | Notes on it |
|---|---|---|---|
| B Standard | B0 E1 A1 D2 G2 C3 | Standard | A low B and a high C wrapped around standard tuning. The 6-string reference. Heard from John Myung, Anthony Jackson. Also called 6-string standard, BEADGC. |
| Drop A | A0 E1 A1 D2 G2 C3 | Drop | Low B dropped to A while the rest of the instrument stays put. |
| B♭ Standard | Bb0 Eb1 Ab1 Db2 Gb2 B2 | Standard | Six strings down a half step. Also called Half step down. |
| A Standard | A0 D1 G1 C2 F2 Bb2 | Standard | Six strings down a whole step. Also called Whole step down. |
| F♯ Standard | F#0 B0 E1 A1 D2 G2 | Standard | Skips the high C in favour of a subcontra F#. Fundamentals this low are felt, not heard. Also called Low F#. |
| Fifths | F0 C1 G1 D2 A2 E3 | Other | Six strings in fifths spans nearly four octaves without moving your hand. Also called FCGDAE. |