Guitarguide

E Standard6-string guitar

Tuning library

Pick a tuning

Choose a preset and every peg updates. Nudge any string with − and + and the name at the top re-reads itself from the notes.

Fretboard

Where the notes land

Specification

The numbers

Pitch

The change

Structure

Reference

Every tuning in the book

73 tunings across six instruments. Spellings run from the lowest string to the highest.

6-string guitar

TuningNotesFamilyNotes on it
E StandardE2 A2 D3 G3 B3 E4StandardThe reference point. Fourths all the way up except the major third between G and B. Also called Standard, EADGBE.
Drop DD2 A2 D3 G3 B3 E4DropLowest string down a whole step. One finger covers a power chord on the bottom three strings. Heard from Soundgarden, Rage Against the Machine. Also called DADGBE.
E♭ StandardEb2 Ab2 Db3 Gb3 Bb3 Eb4StandardEverything down a half step. Slacker strings, easier bends, a fatter sound. Heard from Jimi Hendrix, Stevie Ray Vaughan, Guns N’ Roses. Also called Half step down.
Drop C♯C#2 G#2 C#3 F#3 A#3 D#4DropDrop D shifted down a half step. Heard from Deftones.
D StandardD2 G2 C3 F3 A3 D4StandardA whole step below standard. Heavier without changing a single chord shape. Heard from Alice in Chains, Soundgarden. Also called Whole step down.
Drop CC2 G2 C3 F3 A3 D4DropThe modern metal workhorse: D standard with the low string dropped to C. Heard from System of a Down, Bullet for My Valentine.
D♭ StandardDb2 Gb2 B2 E3 Ab3 Db4StandardThree half steps down. Wants heavier gauges to stay tight. Heard from Deftones.
Drop BB1 F#2 B2 E3 G#3 C#4DropLow and slack on a 25.5" scale. Baritone territory. Heard from Slipknot, Bring Me the Horizon.
C StandardC2 F2 Bb2 Eb3 G3 C4StandardTwo whole steps down. Needs 12s or heavier to keep any tension.
Drop A♯A#1 F2 A#2 D#3 G3 C4DropC standard with the low string dropped. Effectively a baritone tuning.
B StandardB1 E2 A2 D3 F#3 B3StandardStandard tuning for baritone guitars — a 7-string minus its top E. Heard from Meshuggah. Also called Baritone standard.
Drop AA1 E2 A2 D3 F#3 B3DropB standard with the low string dropped to A. Baritone scale strongly recommended.
Double Drop DD2 A2 D3 G3 B3 D4ModalBoth E strings drop to D. Droning octaves top and bottom, standard shapes in between. Heard from Neil Young. Also called DADGBD.
DADGADD2 A2 D3 G3 A3 D4ModalA Dsus4 drone. Neither major nor minor, which is exactly why it works. Heard from Jimmy Page, Pierre Bensusan. Also called Celtic tuning, Dsus4.
Open DD2 A2 D3 F#3 A3 D4OpenStrum the open strings and you get a D major chord. Slide players live here. Heard from Joni Mitchell, Bob Dylan. Also called DADF#AD, Vestapol.
Open D minorD2 A2 D3 F3 A3 D4OpenOpen D with the third flattened. Dark, and one finger away from major. Also called DADFAD.
Open EE2 B2 E3 G#3 B3 E4OpenOpen D moved up a whole step. Three strings go up, so use light gauges. Heard from Duane Allman, Derek Trucks.
Open GD2 G2 D3 G3 B3 D4OpenA G major chord open. Keith Richards drops the low string entirely and plays five. Heard from Keith Richards. Also called DGDGBD, Spanish tuning.
Open G minorD2 G2 D3 G3 Bb3 D4OpenOpen G with a flat third. A staple of Delta blues.
Open AE2 A2 E3 A3 C#4 E4OpenOpen G raised a whole step — bright, tight, and hard on the top strings.
Open CC2 G2 C3 G3 C4 E4OpenHuge and orchestral: three Cs and two Gs before you fret anything. Heard from Devin Townsend, John Butler. Also called CGCGCE.
All FourthsE2 A2 D3 G3 C4 F4OtherRemoves the major-third quirk. Every scale shape repeats identically across all six strings. Heard from Stanley Jordan. Also called EADGCF.
New Standard TuningC2 G2 D3 A3 E4 G4OtherFifths, like a cello, with a minor third on top. Robert Fripp’s system for Guitar Craft. Heard from Robert Fripp. Also called NST, CGDAEG.

7-string guitar

TuningNotesFamilyNotes on it
B StandardB1 E2 A2 D3 G3 B3 E4StandardE standard with a low B underneath. The 7-string reference. Heard from Steve Vai, Dream Theater. Also called 7-string standard, BEADGBE.
Drop AA1 E2 A2 D3 G3 B3 E4DropLowest string down a whole step for one-finger power chords in the basement. Heard from Periphery.
B♭ StandardBb1 Eb2 Ab2 Db3 Gb3 Bb3 Eb4Standard7-string standard down a half step. Also called Half step down.
Drop G♯G#1 D#2 G#2 C#3 F#3 A#3 D#4DropDrop A shifted down a half step. Heard from Periphery.
A StandardA1 D2 G2 C3 F3 A3 D4Standard7-string standard down a whole step. Heard from Korn. Also called Whole step down.
Drop GG1 D2 G2 C3 F3 A3 D4DropA standard with the low string dropped to G.
A♭ StandardAb1 Db2 Gb2 B2 E3 Ab3 Db4StandardThree half steps below 7-string standard.
Drop F♯F#1 C#2 F#2 B2 E3 G#3 C#4DropThe low string lands on the same F# an 8-string starts from.
G StandardG1 C2 F2 Bb2 Eb3 G3 C4StandardTwo whole steps down. Long scale and thick strings required.
Drop FF1 C2 F2 Bb2 Eb3 G3 C4DropAbout as low as a 7-string goes before the strings stop behaving.
All FourthsB1 E2 A2 D3 G3 C4 F4OtherUniform fourths across seven strings. Every shape is movable in both directions. Also called BEADGCF.
Russian Open GD2 G2 B2 D3 G3 B3 D4OpenThe traditional Russian seven-string: an open G major spread over seven strings in thirds and fourths. Also called DGBDGBD.

8-string guitar

TuningNotesFamilyNotes on it
F♯ StandardF#1 B1 E2 A2 D3 G3 B3 E4Standard7-string standard with a low F# added. The 8-string reference. Heard from Meshuggah, Animals as Leaders. Also called 8-string standard, F#BEADGBE.
Drop EE1 B1 E2 A2 D3 G3 B3 E4DropThe lowest string drops to E — the same pitch as a bass low E. Heard from Animals as Leaders.
F StandardF1 Bb1 Eb2 Ab2 Db3 Gb3 Bb3 Eb4Standard8-string standard down a half step. Heard from Meshuggah. Also called Half step down.
Drop D♯D#1 A#1 D#2 G#2 C#3 F#3 A#3 D#4DropDrop E shifted down a half step.
E StandardE1 A1 D2 G2 C3 F3 A3 D4Standard8-string standard down a whole step. The bottom four strings sit in bass range. Also called Whole step down.
Drop DD1 A1 D2 G2 C3 F3 A3 D4DropA low D below the bass staff. A 28"+ scale keeps it from flopping.
E♭ StandardEb1 Ab1 Db2 Gb2 B2 E3 Ab3 Db4StandardThree half steps below 8-string standard.
Drop C♯C#1 G#1 C#2 F#2 B2 E3 G#3 C#4DropExtended-range territory where string gauge matters more than tuning choice.
D StandardD1 G1 C2 F2 Bb2 Eb3 G3 C4StandardTwo whole steps down across all eight strings.
Drop CC1 G1 C2 F2 Bb2 Eb3 G3 C4DropA low C at 32.7 Hz — below the lowest note on a 4-string bass.
All FourthsF#1 B1 E2 A2 D3 G3 C4 F4OtherEight strings, one interval. The most symmetrical fretboard you can build. Also called F#BEADGCF.

4-string bass

TuningNotesFamilyNotes on it
E StandardE1 A1 D2 G2StandardFourths, an octave below the bottom four strings of a guitar. The reference. Also called Standard, EADG.
Drop DD1 A1 D2 G2DropLow string down a whole step, usually to follow a guitarist who did the same. Also called DADG.
E♭ StandardEb1 Ab1 Db2 Gb2StandardThe whole bass down a half step. Common backing for E♭ guitars. Also called Half step down.
Drop C♯C#1 G#1 C#2 F#2DropDrop D shifted down a half step.
D StandardD1 G1 C2 F2StandardA whole step down. Noticeably slacker unless you move up a gauge. Also called Whole step down.
Drop CC1 G1 C2 F2DropMatches a guitarist in Drop C, two octaves below.
D♭ StandardDb1 Gb1 B1 E2StandardThree half steps down.
Drop BB0 F#1 B1 E2DropA low B on four strings — the pitch a 5-string gets for free.
C StandardC1 F1 Bb1 Eb2StandardTwo whole steps down. Heavy strings or a long scale, ideally both.
B StandardB0 E1 A1 D2StandardThe bottom four strings of a 5-string bass, on a four.
Drop AA0 E1 A1 D2DropA0 is the lowest A on a piano. Expect a .145 or thicker.
Tenor BassA1 D2 G2 C3OtherEverything up a fourth: drop the low E, add a high C. Bright and soloistic. Heard from Stanley Clarke. Also called ADGC, Piccolo-ish.
FifthsC1 G1 D2 A2OtherTuned in fifths like a cello. Enormous range, brutal stretches. Also called CGDA, Cello tuning.

5-string bass

TuningNotesFamilyNotes on it
B StandardB0 E1 A1 D2 G2StandardA low B below standard four-string tuning. The 5-string reference. Also called 5-string standard, BEADG.
High CE1 A1 D2 G2 C3OtherThe other way to build a five: keep the low E, add a high C for chords and solos. Also called EADGC.
Drop AA0 E1 A1 D2 G2DropLow B dropped a whole step to A, matching drop-tuned 7- and 8-string guitars.
B♭ StandardBb0 Eb1 Ab1 Db2 Gb2StandardFive strings down a half step. Also called Half step down.
Drop G♯G#0 D#1 G#1 C#2 F#2DropDrop A shifted down a half step.
A StandardA0 D1 G1 C2 F2StandardFive strings down a whole step. The low A sits at 27.5 Hz. Also called Whole step down.
Drop GG0 D1 G1 C2 F2DropBelow the range of a grand piano’s lowest string but one. Subsonic without a good rig.
E♭ + High CEb1 Ab1 Db2 Gb2 B2OtherHigh-C tuning taken down a half step to sit with E♭ guitars.

6-string bass

TuningNotesFamilyNotes on it
B StandardB0 E1 A1 D2 G2 C3StandardA low B and a high C wrapped around standard tuning. The 6-string reference. Heard from John Myung, Anthony Jackson. Also called 6-string standard, BEADGC.
Drop AA0 E1 A1 D2 G2 C3DropLow B dropped to A while the rest of the instrument stays put.
B♭ StandardBb0 Eb1 Ab1 Db2 Gb2 B2StandardSix strings down a half step. Also called Half step down.
A StandardA0 D1 G1 C2 F2 Bb2StandardSix strings down a whole step. Also called Whole step down.
F♯ StandardF#0 B0 E1 A1 D2 G2StandardSkips the high C in favour of a subcontra F#. Fundamentals this low are felt, not heard. Also called Low F#.
FifthsF0 C1 G1 D2 A2 E3OtherSix strings in fifths spans nearly four octaves without moving your hand. Also called FCGDAE.